If you’re yet to switch on Love Story – the retelling of John F. Kennedy Jr. and Caroline Bessette Kennedy’s, well, love story – consider this your sign. The storyline may be undeniably juicy, but it’s Sarah Pidgeon’s portrayal of CBK (and, more specifically, her hair) that’s truly captured our attention.
Soft, natural and perfectly undone, her effortless, lived-in texture channels that quintessential ’90s New York minimalism – with a distinctly romantic edge. It’s cool-girl hair at its most refined.
Here’s how to get the look.
It all starts with the right foundation: long, barely-there layers that create movement without looking overly styled. The shape should feel soft and fluid, with subtle face-framing pieces that fall somewhere between the cheekbones and collarbone. Avoid anything too blunt or overly structured – this is undone polish at its best. Ideally, it should look as though your hair has simply grown into this shape naturally.
CBK’s colour is the definition of “expensive natural”. A neutral, light brunette base is elevated with delicate, almost imperceptible highlights – nothing streaky or high-contrast. Instead, think soft ribbons of colour that catch the light and add dimension without ever looking ‘done’. The result is depth, shine and that elusive, just-back-from-summer richness.
This is where the magic happens. The key is to do less – but better. Start with a lightweight styling product, like Almost Everything Cream, to enhance your natural texture, then rough-dry or diffuse to maintain movement. If needed, add a few loose bends with a tong, keeping them irregular and softly brushed through. Finish with another touch of Almost Everything Cream through the ends for a glossy, lived-in finish.
Ultimately, it’s hair that feels effortless, slightly imperfect and completely timeless.
